Introduction
The rituals associated with marriage, rooted in non-verbal agreements, represent the perception of society in general.
The wedding dress is a symbolic part of these rituals.
Synopsis
The process that the wedding dress goes through can be considered the embodiment of the formation of a woman's identity in society.
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During college, director Dilan Engin worked in a friend's bridal shop and began to reflect on the institution of marriage by observing the shop's customers, listening to their conversations, and chatting with them.
One day, while sewing a wedding dress, Dilan heard the news on the radio of a woman killed by her husband.
And immediately after a song by Bergen, 'You Forgive, I Don't Forgive'. “Something clicked inside me,” Dilan says.
“A contradiction that I had to somehow tell.”
Film info
Gallery
Rojava
Por – Hair
An Alley Behind our House
Dengbêj, the lonely tree
Window
301
Berxwedan (Resistance)
Princess dress
Dibistan
Sîka Çiya yê Kurmênc – Shadow of the Kurdish mountain
Mal
LOTTOMarzoSEMPRE
Every bond
Princess dress
Lina Mangiacapre Artist of Feminism
Aida
Family Portrait
Dark Room
Blinding Plan The Cathedral
Assunta Buonavolontà – Diary of a precarious worker
Nene Martelli and the informal in Turin
The Ladybugs – transsexual drama
Invented by a distracted god Maria Lai
Mal
Q.B.