What percentage of movement is accepted for making love?
Come and meet Barbara, come closer.
Barbara lets you into her daily life, her memories, her desires, her intimacy, without hiding anything, without censorship, without fear of showing herself for who she is. Does her frankness make you uncomfortable?
Barbara has a peculiarity, one of those that immediately catches your eye when you look at her. Barbara is disabled. Come closer. Can you see Barbara? Do you really see her? Then come closer.
This isn't love. A denial, or perhaps a question. Isn't this love? The attempt to carve out a space for oneself, the need to gain clarity first and foremost within oneself, the questioning of status and norms.
This isn't love: the possibility of affirmation, an opening to the plurality of ways of loving. Because this is love.
This is not love, this is a documentary about desire in its many forms, told through the portrait of a person.
This is not love, this is a film that defies definition because it mixes different styles and registers, uniting fiction and documentary, blurring their contours.
This isn't love, this is a journey of discovery: there's no end point, no principle to affirm. There's only Barbara.
