At the height of migration and landings on European shores, Cissoko, a North African refugee, decides to return home to warn his brothers of the many risks encountered during the journey: he feels a strong duty to help stem the loss of life in Africa.
Once in Guinea he began to make projections that also informed his people about the precarious and painful conditions in which many immigrants find themselves living in Europe, victims of an inappropriate and discriminatory legislative system,
which, on the one hand, continues to deny them freedom of movement, while on the other, effectively consigns them to new forms of slavery. Thus, she moves to Senegal, to Ile de Gorée, the slave island, for a more profound reflection, one that embraces new and courageous ideas, such as the decolonization of the gaze towards the myth of the West.
“Virtually” accompanied on his journey by several artists who enhance his emotional sound and by the memory of Thomas Sankara, the protagonist relentlessly urges his people towards internal emancipation and that of their own land, reflecting on the dire need to end conflicts that shatter lives, leading, in the best of cases, to traumatic escapes and endless ordeals.
The protagonist feels the need to convince his brothers of the importance of a true unity that will bring about, where possible, an end to the conflicts that so impoverish their land and their prospects for the future. He cites as an example the descendants of slaves living in the Brazilian quilombi, whom he goes to pay homage to, and whom he finds, despite a thousand difficulties, surprisingly united and proud of their African origins.
