Via Crucis
Introduction
Turin-based band Motel Connection joins forces with multifaceted artist Nicus Lucà in a sacrilegious audio-visual performance at Milan's Hollywood Club.
Synopsis
A whirlwind journey from Turin to Milan. The Hollywood Club dance floor is bustling with fans and jostling young women. They want to grab a spot under the stage where Motel Connection is about to perform. In the private room, celebrities from the worlds of fashion, sports, and entertainment sip from ergonomic glasses.
A red and white striped cross stands out in the center of the room.
Nicus Lucà enters, wrapped in a boxing robe, escorted by two bodyguards. The crowd lets himself be parted, curious.
The blue-painted body, adorned with white stars, is hoisted up to be crucified.
The music pulses, applause punctuating the transitions between songs. Among the audience, new Samaritans offer cocktails to the pop Christ; knowing glances linger on his pubic area draped in Renaissance drapery.
Everyone is getting agitated and screaming.
The cross pulses with light. Everything accelerates.
The sin is not being there.
Film info
Directed by: Alessandro Tannoia
Video direction: Stefano Monti
Editing: Alessandro Tannoia
Sound: Motel Connection
Stagecraft: Sergio Barboni
Super 8 Operator: Christian Jayme
Production: Pop Club, 2005, b/w color, 6'
We had to move
Être en train
Earth men lake
, then after
Two or three things
A Dog's Life
I still have my hands
Reflections on the big toe
A flimsy house
The last tape
Anna Karina
Angelopoulos backstage
Via Crucis
Full stop
Pop Bomb
Accord
Weltgenie
Bagetto/Mazz-art
OGR – Yellow Zone
Unveiled city, urban rivers
Variations
Experimental interludes
Civic Garrone
Movement
Where everything is
Cailloux
Get out of here
Erri De Luca after Genoa
Timeless
Endgame
In the belly of the steamer
They may also like
The perfect photographer
The whisper of motionless temptations
Shortcomings (Theophagically)