Director's statement

In making the film, it was decided to forgo any camera movement for the interior shots, using fixed, sustained shots for this purpose, both when filming objects and places and when portraying people. While the idea of ​​fragmenting camera movements as much as possible responds to the need to represent the social and historical petrification of the white-collar class, this directorial choice stems from a rejection of the spectacular movement of images that claim to confer meaning and richness on the impoverished daily life we ​​all experience in contemporary times.

This poverty of everyday life is expressed in the film through the staging of the personal objects and environments in which the interviewees' lives unfold, in a sort of objective biography that lets things speak and from these, through fragments of images, brings out the fragmented lives we live today.