Turin Film Festival – the selection of Streeen

In May 1935, the person who changed the destiny of a remote land, far from the economic and cultural centers of a young country preparing for the Second World War, was sentenced to three years of confinement.

Experimental work that uses the photography of Marco Di Castri conceived for the theatrical performance Uppercut Sonata - Boxing Story of a Fight of which it is an integral part

Filmed in Turin from March 16 to 23, 1986, on the occasion of the retrospective dedicated to Canadian experimental director Michael Snow by the Turin Youth Cinema Festival, the film is divided into two parts.

Time: its passage and the impossibility of stopping it. The "unconfined" world of a young man.

Giò Stajano's secret to facing life in the best way, or worst, depending on your point of view, was and is that of never taking himself too seriously.

The history of the Resistance in Turin's Borgo Vittoria neighborhood through the memories of its protagonists, the daily lives and hopes of a generation.

The discovery of images shot on Super 8 in the 60s. A poem, the pulse of a heartbeat... A memory that is crucial today.

The result of the deadly mix between the horrible 80s of the agonizing First Republic and the terrifying prolegomena to the cultural nothingness of the pounced Second.

An elderly Tibetan woman and Jean-Luc Godard talk about themselves and their experiences. A film about personal memory, images of an autobiographical past.
A past that is not dead, in fact it is not even past.
A memory of emotions seen through other memories of emotions.
Every story, every life, has a beginning, a middle, and an end, though not necessarily in that order."
Ceste Armando

"The usual story. Who has the power, who doesn't. Now, as always, the clergy wins. Watch out!" Alessandro Tannoia and Lionello Lucio

The Venchi Unica factory in Turin, a historic confectionery company, suddenly went bankrupt and was finally demolished in 1997. Walter returns there twenty years after his dismissal.

The early seventies, years of authentic ferment, chaotic projects and short-lived utopias, saw
the birth of private TV, what we now call “commercial TV”.

A docu-fiction built on the intertwining of reality and self-representation, on the mutual influence between the narrative path and the characters' lives.

"The documentary is developed with the way of looking that Ghirri He himself suggested and taught us with his photographs: to develop an environmental vision, which is an emotional way of looking at things." (Gianni Celati)

I was looking for a lofty language, different from the mass media coverage of newspapers and TV that had invaded our eyes, hearts, and brains in those post-Genoa days. Reading Erri De Luca's nursery rhymes, I was moved and recognized in a poetic language, certainly biased, but thought-provoking. Ceste Armando

A journey between Piedmont and Guatemala to reconnect the threads of a life, the story of an "inconvenient" priest.

Life, art, political and entrepreneurial commitment merge in the figure of Ottavio Mario Mai, exactly as in the postmodern society whose potential and characteristics Mai seems to have intuited and exploited before others.

In the aftermath of the death of lawyer Giovanni Agnelli, a multitude of Turin citizens, as in a sort of Stations of the Cross, marched through the Lingotto factory to reach the entrance hall of the art gallery named after Giovanni and Marella Agnelli.

Turin, September 1980. Emma Martano, from a working-class family of southern Italian origins, has an excellent future ahead of her, already having a job in the IT sector of Fiat.

Zoran, 28 years old, walks, retraces a childhood of war, the “bread line massacre”, the Yugoslav plan transformed into a “prison of the peoples”, he is a Sarajevo Serb, with a father who fought in the ranks of the Bosnian army against the besiegers.

What do you do after a serious illness? A movie, for example. That incident plays a role, but only as a starting point.

The time spent waiting for a residence permit—and learning their fate—for Diarrè, a young Ivorian, and his fellow refugees from Libya, in a small reception center in the Cuneo area.

A filmmaker uses his previously unseen super 8 footage to recount the workers' struggles at Fiat Mirafiori, Europe's largest factory in the 70s.

On April 29, 1945, partisans and the people of Milan gathered in Piazzale Loreto to celebrate the death of the Duce. Hung by his feet, Mussolini's corpse appeared a symbol of the victorious Resistance.

A group of students from a writing school in Bologna, "Bottega Finzioni," and a forty-six-year-old woman who has been a prostitute for eleven years, meet in a village in the hills of Sasso Marconi, in a house that was once the scene of paid love encounters.

Swiss Count Carlo Ulisse De Salis Marschlins was a naturalist who lived between the eighteenth and nineteenth centuries, an expert in agriculture and botany. He traveled extensively, observing and studying the lands he visited.

Alberto Signetto, who passed away in January 2014, was a rigorous intellectual, a free, energetic, and energetic man. He was known (and loved) by all as the Red Rhino. The affectionate portrait of a passionate artist, true to himself to the end, with courage, clarity, and irony.

Reasons and Voices of the No Tav Movement

One morning, Luca Morino, musician and singer of the Mau Mau band, found a box in front of the door of his music shop.
Inside the box there is some material on Gipo Farassino: vinyl records, photos, books and newspaper articles.